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Items 41 to 42 of 42 total

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  • 14.02.16 Posted By Kim Campbell

    (Photograph courtesy of Ryuji Sasaki)

    Mikio Oshima has worked in circus for decades. He got his start as a bear caretaker for a Russian circus. Nowadays, he works as a producer for After Cloudy Company (est. 1984 by mentor Keiichi Nishida). He says their company name serves him well when he travels and hands out his business card, because people always ask, “After cloudy, will it be sunny?”

    Although Mikio Oshima comes from a traditional circus background, he is open to the artistic changes he sees occurring in his industry. He is a curious and receptive man, always looking for ways to connect with other cultures and ideas as a means to improve his understanding of the circus industry. When he isn’t producing circus shows, he is a historian and writer, having written 5 books on circus related topics. I spoke with Mr. Oshima about his origins in the circus world, his work and his hopes and dreams for the future of Japanese circus.

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  • 25.01.16 Posted By Kim Campbell

    National Institute of Circus Arts

    Historically, circus has been a hot commodity in Australia since 1847. In the past, it was horses and exotic foreign acts that brought the crowds out. Nowadays, it is innovation, a contemporary merging of other arts with traditional circus skills, and narrative—the welcome addition of story or themes to unify the action— which is keeping audiences hooked. While traditional circuses such as Circus Royale are touring in big tops around the continent, audiences in the big cities are embracing a variety of options, from Flying Fruit Fly Circus (a polished children’s circus), to Circus Oz, Australia’s long running and wildly popular circus with a mission. Australia is also home to one of the world’s better known circus schools, the National Institute of Circus Arts in Melbourne. With so much circus education and history, it is no wonder that Australia is prone to turn out cutting edge modern circus.

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