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Items 31 to 40 of 42 total

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  • In the circus all around the world, artists perform, using various objects and equipment, comparing to juggling there is other genres, such as aerial acts or genres such as Globe of death or Wheel of death, and here the name speaks for itself.
    There is no doubts that circus is a dangerous art, artists risking their lives and lives of their partner and can rely only on their skills, safety net and high quality equipment.

     

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  • Make your own hand balancing blocks for your training and mastering your skills.

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  • 27.04.19 Tags: Posted By Media update

    Il y avait bien sûr un air de déjà vu (et de déjà entendu) hier soir dans le Vieux-Port de Montréal, avec ce retour programmé d'Alegría, pièce emblématique du Cirque du Soleil, créée ici même il y a 25 ans et retirée de la flotte du Cirque il y a à peine cinq ans.

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  • 16.04.19 Tags: Posted By Media update
    BASEL GOES CIRCUS! BE PART OF IT! Read More
  • 16.04.19 Tags: Posted By Media update
    Teams for 2019 Team World Cup in Akita Read More
  • 15.04.19 Tags: Posted By Media update

    Decided to build your first Cyr wheel rather than buy a pre-made one? Read this great article of amazing artists who did their own Cyr Wheel!

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  • 03.01.18 Tags: Posted By Kim Campbell

    “Any time there is an agreement between two people to do something, that agreement is a contract. The importance of the paper is to prove what they agreed on,” explained Gordon Firemark, entertainment attorney in Los Angeles. He represents all sorts of entertainers, from comedians, magicians and clowns to theater, TV and film actors, and he has been a theater buff his whole life as well. He enjoys helping performers so much that he does a blog and podcast on entertainment law issues.

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  • 03.01.18 Tags: Posted By Kim Campbell

    Sean Gandini and Kati Ylä-Hokkala have been the backbone of the juggling company Gandini for 24 years. Their signature style, a hyper awareness of geometric rhythms made three dimensional in tangible space, has both an exciting and a comforting effect on the observer. Watching Gandini perform their newest show, 4X4 Ephemeral Architectures at the 2016 Montreal Complètement Cirque Festival was a bit like watching fractals unfold, or flowers bloom and contract, but all the while with the pollinating insects buzzing around doing their magic work.

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  • 02.06.16 Posted By Kim Campbell

    If the United States of America has a circus capitol, it might be Las Vegas, home to casinos, conventioneers, and 6 different Cirque de Soleil shows, plus endless variety shows that feature circus acts. It is here that the professionals go to get steady work if they prefer staying local to being on tour.. But while Vegas has big circus, it lacks in small to mid-sized circus companies—the kind that often produce shows that redefine what is cutting edge artistically and draw a dedicated audience. Instead, the performers are employed by the rich tradition of ever changing variety shows that are after the tourist dollar. Cirque du Soleil may have a tremendous presence, but they draw artists from their system of scouts and their global database, meaning in town artists rarely have access to that level of employment.

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  • 14.04.16 Posted By Kim Campbell

    (Top: Amelia Van Brunt’s performance of her piece In the Blue of the Evening, originally devised and performed in 2015 during her residency at Circus Center in San Francisco. Photo credit: Shoot That Klown. Second photo:Luminous performance at 2015 Melbourne Fringe Festival

    One of the most exciting things about being a professional circus artist is the increasing abundance of training and performance opportunities available to you at residencies and festivals. Of course, not all events are equal in stature and focus, yet each has something to offer the aspiring circus artist looking to break in to the network of global performers.

    Still, the path to these opportunities is dimly lit to all but a few brave souls who seek the way. To be invited to perform, you must have a solid concept of your act, clear goals, know your company’s availability, and you must be highly organized. How do you know if your circus company is ready to move to the next level of performing and getting snapped up by circus programmers for tours? We spoke to festival artistic directors and residency directors around the world to see what they recommend to newbies on how to break in to this performance platform and we highlight festivals and residencies that are worth considering.

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